The Due time is after 4 daysPlease select a topic from the following list. Your task is to narrow and hone the topic.“The Arts and Crafts movement relies on and yet seems to ignore its racial/imperial politics.” Discuss (by taking a position).The art criticism that emerges in the nineteenth century is framed by a set of assumptions that define a way of seeing. Discuss the value and limits of this approach.Impressionists wrestled with the influence of the urban environment. What are the challenges that urbanity raised? Mary Louise Pratt privileges “contact” as a highly powerful space of transmission. Provide an analysis of the impact of “contact” on at least one nineteenth century artist.Naturalism is often used in literary criticism, not art criticism, in part because it is illuminated by human behaviours and choices rendered over time (better suited to the devices in a play or novel). Provide an analysis of a set of non-literary works for which naturalism is an apt and evocative descriptor. What is the function of anachronism fo
r the Pre-Raphaelites? Does it work?A topic of your choice. Please ensure that I approve the topic by November 1, 2020. How to submit your work (choose ONE option only)A 10-12 page (2000-2500 word and double-spaced) essayThe essay should be an organic whole (one argument), not an assortment of discrete ideas.If you choose to include still images in your essay you must refer to them in the body of your essay.Maximum length of 12 pages (references and images do not count to word limit).The essay must be submitted as a file. PDF or plain text files are preferred for this option.The essay should have the following partsAn introductory paragraph (let the reader know what you are hoping to demonstrate)A concluding paragraph (do not simply end abruptly or recapitulate the paper, inform the reader why or how what you’ve said is important or what it leads to)A hybrid (5-page essay) and 5-minute audio or video file (with or without sound).Maximum length: 5 pages + 5 minutes that is an organic whole (one argument), not an assortment of discrete ideas